42" x 42" oil and encaustic on panel
Terry Rafferty recently asked about my technique for painting on all my little squares. I started doing it a few years ago as an experiment, and I liked the feeling of the process and the finished work so much that I never stopped.
I start with one of my own photos, and I separate it into a grid. Then I view only that part of the photo that corresponds with the tile I am painting. Lately I have been starting with a sketch in black ink, using a Kuretake brush pen. The squares are cut from 1/4" thick MDF, and coated with two layers of grey gesso. I sand the gesso lightly to create a nice, smooth surface for the brush pen.
After the initial sketch is done, it's just a matter of painting what I see: square by square. I'll usually visit each square about four times, depending on the complexity of the image depicted on that square. I let the form and the color values vary from square to square, which creates an interesting effect. I always try to treat each little panel like a painting unto itself. When I put them all together I get the strangest sense of seeing something new, even though I painted each little piece!
